Jun 142007
Gong: Sold to the Highest Buddha & Castle in the Clouds
From: Angel’s Egg [Blue Plate, 1973]
Gong: Master Builder
From: You [Virgin, 1974]
The back cover on my Decal CD reissues say “File Under Psychedelia.”
Gong is a band that is a bit tricky to introduce to people; pick the wrong album or the wrong song and the music might not take. Perhaps this is due to the fact that the band operated more as a collective than a proper band. The constant lineup changes produced such dramatic differences in their sound from song to song that it’s difficult to pin-point those pivotal moments in their discography that will draw a listener in and give him/her an entry point into the band’s universe.
These 3 songs are from what many consider to be Gong’s creative peak (1973-1974) and their most succesful albums: The Radio Gnome Invisible Trilogy. The Radio Gnome song cycle, which unfolds over the course of 3 diverse albums [Flying Teapot, Angel's, You], is based around the band’s founder and chief songwriter Daevid Allen’s Gong mythology. Legend has it, the kernel for this mythology was born out of a very impressionable acid trip. I won’t get too deep into the specifics of the story and its philosophies here, I only mention this because it’s an interesting aspect of the band to explore should you enjoy these songs.
Sold to the Highest Buddha is as close as Gong comes to a pop song. It’s a concise arrangement that is sonically dense and practically overflows with tasty, unselfish playing by a handful of space jazz rock pioneers: Daevid Allen, Steve Hillage, Pierre Moerlen, Tim Blake, Mike Howlett, Didiere Malherbe. Together this lineup had amazing chemistry as showcased in the smooth transition from the tightly-wound Buddha to the spacious, deceptively rocking Castle in the Clouds. In a way, this song to song transition mirrors the transition from Angel’s Egg to You. If Angel’s Egg is a pop album, then You is the space rock jam fest. Master Builder will give you a sense of how the 1974 era collective liked to play: heavy/funky rhythm section, spacey synth backdrops, a few chants here and there, and some nice soloing from Malherbe (sax) and Hillage (guitar).





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dude don't sweat the less frequent posts. i don't know about the rest of your regular visitors, but fewer posts just allows me to not miss anything. we're all busy!!
Thanks! Turns out Gong is pretty damn decent..Who'da guessed?
Thanks for the Gong post-
used to really dig them back when they first came out- then of course soured on the whole hippy thing- but now, listening to these tracks, can totally understand why I liked them in the first place. Thanks for rekindling the interest.
Scott